![]() ![]() In September 2009, EMI hired him as the chairman of a reactivated Priority Records. He also coaches a youth football league and high-school football team. Snoop Dogg has starred in motion pictures and hosted several television shows, including Doggy Fizzle Televizzle, Snoop Dogg's Father Hood, and Dogg After Dark. Priority Records released his album Malice 'n Wonderland during 2009, followed by Doggumentary during 2011. In 2004, he signed to Geffen Records, releasing his next three albums: R&G (Rhythm & Gangsta): The Masterpiece, then Tha Blue Carpet Treatment, and Ego Trippin'. In 2002, he signed with Priority/ Capitol/ EMI Records, releasing Paid tha Cost to Be da Boss. The next year, the album was certified double-platinum.Īfter leaving Death Row Records in January 1998, Broadus signed with No Limit Records, releasing three Snoop albums: Da Game Is to Be Sold, Not to Be Told (1998), No Limit Top Dogg (1999), and Tha Last Meal (2000). In 1996, his second album, Tha Doggfather, also debuted at number one on both charts, with " Snoop's Upside Ya Head" as the lead single. In 1994, Death Row Records released a soundtrack, by Broadus, for the short film Murder Was the Case, starring Snoop. Selling 800,000 copies in its first week, Doggystyle was certified quadruple-platinum in 1994 and bore several hit singles, including " What's My Name?" and " Gin and Juice". Dre, was released by Death Row Records in November 1993, and debuted at number one on the popular albums chart, the Billboard 200, and on Billboard 's Top R&B/Hip-Hop Albums chart. But that’s just how powerful Snoop’s pop psychology was, and that power keeps Doggystyle in essential heavy rotation.Broadus' debut solo album, Doggystyle, produced by Dr. Even 22 years later, it’s still amazing how huge Doggystyle became considering how outlandish it was-this album went platinum many times over despite having the startlingly aggressive “For All My N-z & B-s” on it. Snoop is remarkably confident throughout, and he lords over the songs on Doggystyle-particularly the next-level single “Gin and Juice” and the sonic high five “Ain’t No Fun (If the Homies Can’t Have None)”-like a proper master of ceremonies. ![]() Dre, who crafted every beat on the album, suppressed the beef-ready hardcore of The Chronic and cranked up the rubber band bass and lollipop keyboards. ![]() Doggystyle took The Chronic’s sensibilities and jacked them up, blowing Snoop’s worldview into a cinematic wonderland. The Chronic forced the mainstream to embrace West Coast rap on a global level, and Snoop Doggy Dogg’s remarkable charisma had a lot to do with that revolution. But Da Game is not without its charms, and Snoop acts as a pretty good foil for P himself, and they’re up-the-game intensity on the claustrophobic “Whatcha Gon Do?” is as powerful as anything either has put out since. The less said about the twists on old hits (“Still a G Thang,” “Gin & Juice II”), the better. Snoop sounds like he’s having a hard time getting comfortable, and his smooth, polished flow sounds especially ludicrous when rapping next to the marble-mouthed Silkk the Shocker or machine-gun spitting Mystikal. Da Game, his first release on No Limit, suffers a bit from the culture clash, as even the most ham-fisted latter-day Death Row beats were far more polished than the low-fi thump crafted by P’s in-house Beats by the Pound crew. Dre and Suge Knight to convincingly reinvent himself. At the time, it was a major coup for both parties: P got himself a bona fide platinum-seller to help with his already-in-motion assault on mainstream radio, and Snoop got enough physical distance from his old life with Dr. Snoop’s tenure as one of Master P’s No Limit Soldiers was as odd as it was fascinating. ![]()
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